“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
Monday, August 3, 2009
Nobody Move, This Is A Review: HAUNTED HEART: THE LIFE AND TIMES OF STEPHEN KING by Lisa Rojak
Film adaptations of his work – including The Shining, Stand By Me, The Shawshank Redemption and The Green Mile – are among some of the most popular movies of the last 30 years.
Sales have declined as he has begun to produce more self- consciously literary works in the latter part of his career, during which King has triumphed over addiction and also survived a near- fatal car accident. The man himself though is well, mellow and living happily ever after.
The problem with Lisa Rogak’s rather short biography (not counting notes and index, it amounts to 243 pages) is that the broad strokes of his life are known to even the most casual of Stephen King observers.
Given that the author was hugely prolific for most of his career, in some years publishing anything between four and six titles, not counting paperback and assorted editions, there are many times when Rogak finds herself simply outlining a list of his achievements for a particular period, in the process skimming along the surface of King’s story.
The biography is unauthorised, an issue that Rogak makes light of in her introduction, claiming that an authorised biography is a good cure for insomnia …
For the rest, clickety-click here …
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