It’s A Shortlist, So It Must Be Tana French

It’s been good week for shortlists, nominations and generalised prize-winning flummery amongst the Irish crime fiction fraternity, people. First up is Derek Landy, whose SKULDUGGERY PLEASANT scooped the prestigious Red House Children’s Book Prize at the Hay Festival over the weekend, with The Guardian wibbling thusly:

“The Dublin writer Derek Landy owes much to his zombie detective, Skulduggery Pleasant. First Landy’s creation helped him to leave behind the cauliflower fields of his family farm, and now it has won him the coveted Red House children’s book prize, announced yesterday evening at the Hay festival by some of the children who voted for the book.”

Kids can vote now? Crumbs – next thing you know they’ll be passing laws to stop us sending them up chimneys. Anyhoo, onward to shortlists and nominations, and the ever-radiant Sarah Weinman reports on The Barry Awards. John Connolly’s THE UNQUIET is up for a gong in the Best Novel category, while Tana French’s IN THE WOODS gets a nod for Best First Novel, the latter news causing us to wonder if it’s even legal to have a shortlist that doesn’t feature the Edgar-winning Tana these days. For the full list of nominees, jump over here … The ever-fragrant Bill Crider, meanwhile, features the Anthony Award shortlists, where – quelle surprise – Tana French’s IN THE WOODS has been nominated for Best First Novel, and the Ken Bruen / Jason Starr collaboration SLIDE has been nominated for Best Paperback Original. Again, for the full list of nominees, slide on over here …