“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee“This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019“The funniest book of the year.” – Sunday Independent“Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
Friday, April 11, 2008
Funky Friday’s Freaky-Deak
Being a weekly cornucopia of Irish crime fiction-related interweb baloohaha, to wit: Gerard Brennan interviews Adrian McKinty over at CSNI, with McKinty offering the following sage advice to future writers: “The lesson is you can’t rely on the publisher, you have to work all the angles. Writing the book is only half the story, you have to go out there and sell the bloody thing with or without the help of your publisher.” Amen, brother … Meanwhile, Gerard Brennan is subjected to the rubber hose treatment over at Critical Mick, in which he chats about his current writing projects, PIRHANAS and FIREPROOF … John Boyne’s THE MUTINY ON THE BOUNTY is sailing your way soon, but over at Inspired Minds he’s talking to Breandáin O’Shea about THE BOY IN THE STRIPED PYJAMAS, which is being turned into a movie as you read … Writing in the Sunday Indo, Celia Keenan casts her eye over the Irish Children’s Book of the Year shortlist, but somehow manages to totally overlook The Artist Formerly Known As Colin Bateman (sob) … Yet another competition giving away copies of DB Shan’s PROCESSION OF THE DEAD can be found at SFX, while over at Crime Time UK, Barry Forshaw chats with DB about making the jump from the young adult market to the adult market … Oh, and while you’re faffing about over at Crime Time UK, check out Barry’s interview with GALLOWS LANE author Brian McGilloway … Visit Dublin has all the info for the Dublin Writers Festival, which takes place from June 11 to 15, although the only crime writer we can see on the slate is John Boyne … Via Abe Books comes a decent piece on John Banville turning all Benny Blanco … Congratulations to Catherine O’Flynn, who won the Waterstone’s Newcomer of the Year gong for her novel WHAT WAS LOST in the Nibbies … There’s a cracking interview with BLOODSTORM author Sam Millar (hat-tip to CSNI for the nod) in the current issue of the always brilliant Verbal Magazine … And while we’re on the subject: Verbal Mag mainstay, author and bon viveur about town Garbhan Downey launches his latest offering, YOURS CONFIDENTIALLY: LETTERS OF A WOULD-BE MP, at 7.30pm in St. Columb’s Hall in Derry / Londonderry / Slash City tonight. If you get along, give Garbhan a good tickling for us, we hear he likes a good chuckle … Finally, here’s a book-trailer for Sir Kenneth of Bruen’s CROSS, which is worth checking out for the music alone. All together now: “Here come old flattop / He come groovin’ up slowly / He got juju eyeball / He one holy roller …”
Being a weekly cornucopia of Irish crime fiction-related interweb baloohaha, to wit: Gerard Brennan interviews Adrian McKinty over at CSNI, with McKinty offering the following sage advice to future writers: “The lesson is you can’t rely on the publisher, you have to work all the angles. Writing the book is only half the story, you have to go out there and sell the bloody thing with or without the help of your publisher.” Amen, brother … Meanwhile, Gerard Brennan is subjected to the rubber hose treatment over at Critical Mick, in which he chats about his current writing projects, PIRHANAS and FIREPROOF … John Boyne’s THE MUTINY ON THE BOUNTY is sailing your way soon, but over at Inspired Minds he’s talking to Breandáin O’Shea about THE BOY IN THE STRIPED PYJAMAS, which is being turned into a movie as you read … Writing in the Sunday Indo, Celia Keenan casts her eye over the Irish Children’s Book of the Year shortlist, but somehow manages to totally overlook The Artist Formerly Known As Colin Bateman (sob) … Yet another competition giving away copies of DB Shan’s PROCESSION OF THE DEAD can be found at SFX, while over at Crime Time UK, Barry Forshaw chats with DB about making the jump from the young adult market to the adult market … Oh, and while you’re faffing about over at Crime Time UK, check out Barry’s interview with GALLOWS LANE author Brian McGilloway … Visit Dublin has all the info for the Dublin Writers Festival, which takes place from June 11 to 15, although the only crime writer we can see on the slate is John Boyne … Via Abe Books comes a decent piece on John Banville turning all Benny Blanco … 
Congratulations to Catherine O’Flynn, who won the Waterstone’s Newcomer of the Year gong for her novel WHAT WAS LOST in the Nibbies … There’s a cracking interview with BLOODSTORM author Sam Millar (hat-tip to CSNI for the nod) in the current issue of the always brilliant Verbal Magazine … And while we’re on the subject: Verbal Mag mainstay, author and bon viveur about town Garbhan Downey launches his latest offering, YOURS CONFIDENTIALLY: LETTERS OF A WOULD-BE MP, at 7.30pm in St. Columb’s Hall in Derry / Londonderry / Slash City tonight. If you get along, give Garbhan a good tickling for us, we hear he likes a good chuckle … Finally, here’s a book-trailer for Sir Kenneth of Bruen’s CROSS, which is worth checking out for the music alone. All together now: “Here come old flattop / He come groovin’ up slowly / He got juju eyeball / He one holy roller …” 
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