“When Karen Drew is found sitting in her wheelchair staring out to sea with her throat cut one chilly morning, DI Annie Cabbot, on loan to Eastern Area, gets lumbered with the case. Back in Eastvale, that same Sunday morning, 19-year-old Hayley Daniels is found raped and strangled in the Maze, a tangle of narrow alleys behind Eastvale’s market square, after a drunken night on the town with a group of friends, and DCI Alan Banks is called in. Banks finds suspects galore, while Annie seems to hit a brick wall – until she reaches a breakthrough that spins her case in a shocking and surprising new direction, one that also involves Banks … As Banks and Annie dig into the past to uncover the deeper connections, they find themselves also dealing with the emotional baggage and personal demons of their own relationship.”No Alibis is expecting a massive turn-out for Robinson’s appearance, so book early and often by contacting Dave at david@noalibis.com. Oh, and anyone expecting a reading from the DUP's God-fearing deputy leader will be sorely disappointed ...
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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