There’s a book, you probably know it, called THE UNBEARABLE LIGHTNESS OF BEING by Milan Kundera, which is good fun if you like that kind of thing. I certainly did when I read it, which is years ago now, but as far as I remember the general gist is that a life lived without responsibility – personal, social or political – results in an unbearable lightness of being. I believe Hollywood is sweating slavishly over a new adaptation, with Adam Sandler and Jessica Alba playing the leads.
Anyhoos, the reason I mention it is that when I first heard about Tana French’s follow-up to IN THE WOODS, which was to be about all kinds of doppelgangery flummery and titled THE LIKENESS, I blogged about it and called the post ‘The Unbearable Likeness of Being’.
Yes, it’s piss-poor. But the reason I mention it – and this is for all you folks who arrived at this post after googling ‘the unbearable likeness of being’ – is that what you’re actually looking for is THE UNBEARABLE LIGHTNESS OF BEING by Milan Kundera.
That’s ‘lightness’, not ‘likeness’.
No thanks, please. It’s all part of the service.
“Burke shows again that he’s not just a comic genius, but also a fine dramatic writer and storyteller.” – Booklist. “Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.