December 23, 1787, Portsmouth: A 14-year-old boy, John Jacob Turnstile, has got into trouble with the police on one too many occasions and is on his way to prison when an offer is put to him – a ship has been refitted over the last few months and is about to set sail with an important mission. The boy who was expected to serve as the captain’s personal valet has been injured and a replacement must be found immediately. The deal is struck and he finds himself onboard, meeting the captain, just as the ship sets sail. The ship is HMS Bounty, the captain is William Bligh, and their destination is Tahiti. MUTINY ON THE BOUNTY is the first novel to explore all the events relating to the Bounty’s voyage, from their long journey across the ocean to their adventures on the island of Tahiti and the subsequent 48-day expedition towards Timor. A vivid recreation of the famous mutiny, the story is packed with humour, violence and historical detail, while presenting a very different portrait of Captain Bligh and Mr Christian than has ever been shown before.A mouth-watering prospect, indeed – expect something akin to William Golding’s RITES OF PASSAGE, people. The big question to be resolved, of course, is who actually commits the most heinous crime: Bligh, Christian or the moron who decided to yank the coconut-flavoured Bounty bar off US shelves all those years ago?
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
2 comments:
On the plus side, Wispas are back in business
Yes, but what will it take to make Curly-Wurlys cool again? Eh?
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