“It was actually easier [than Bust] because we can now literally anticipate where the other is going to go, we have the same vision, dark sense of humour, it’s like writing with a psychic twin, though Jason might say … psycho! We never had one disagreement and mainly, we have great fun. We’re working on book three and falling over each other with ideas … but we’re totally in sync now, it’s uncanny how we’ve meshed our writing so completely.”Which is nice. Next week: John Banville on how JD Salinger shared his Liquorice All-Sorts while co-authoring the ‘darkly allegorical’ Flopsy And Cottontail Go To The Mall II: This Time It’s Personal.
“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.
Thursday, August 16, 2007
Baby, You’re A Starr
So much for the idea of the writer as an alienated misanthrope venting poisonous spleen on an indifferent world. Interviewed over at Things I’d Rather Be Doing, Sir Kenneth of Bruen reckons the process of co-writing with Jason Starr on the up-coming Slide (October 2) is pretty much jam at this stage, to wit: