Declan Burke Writes

Ian Sansom reviewed THE TWELVE for the Irish Times last weekend, and gave it a right good big-up, with the gist running thusly: With its c...

“ And I know / It ain’t gonna last …” warbled the Mercury Revsters at one point, so I’ll make hay while the sun shines and / or post up th...

Adrian McKinty (right) keeps on telling us that he’s not going to start blogging seriously until later this year – his latest post is entit...

Calling all festival junkies: the TCM Crime Scene jamboree kicks off in London on Friday, September 6, centring on the Ritzy Brixton and f...

Atrocious editing, scratchy print, abysmal continuity … the implicit message in Quentin Tarantino’s Death Proof is that he’s so damn good,...

It’s not often we quote Critical Mick here on Crime Always Pays – just every second day or so, enough to keep him from demanding jelly bab...