“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Wednesday, April 27, 2016

Review: THE WING-ORDERLY’S TALES by Carlo Gébler

Carlo Gébler’s The Wing-Orderly’s Tales (New Island), set in the fictional Loanend Prison in Belfast, is comprised of a series of anecdotes about Harold ‘Chalky’ Chalkman’s fellow prisoners, with Chalky’s position as orderly and go-between making him a confidante of both prisoners and prison guards. The narrative form is unusual, lying somewhere between a short story collection and a novel (the stories are closely linked but self-contained), as Gébler details the sad, quirky, blackly funny and tragic events that befall a host of characters, all of them known by their prison nicknames (‘Eskimo’, ‘Smurf’, ‘Sweet Gene’, ‘Magic’). In the past Carlo Gébler was a creative writing tutor at the Maze and writer-in-residence in Maghaberry, and he invests these stories with a gripping verisimilitude, not least when outlining the perverse unofficial rules that apply in prison – one character, for example, is brutally punished for hating the paramilitaries who killed his mother. It’s a slim but powerful book that subtly explores the early causes and life-long consequences of criminality, its underlying theme summed up in the advice the recidivist Chalky is offered – “It may be a jail, but that doesn’t mean you have to act like it’s one.” – but ultimately rejects. ~ Declan Burke

  This review was first published in the Irish Times as part of April’s crime fiction column. Other titles reviewed are: MAESTRA by LS Hilton, THE TRAP by Melanie Raabe, BLOOD WILL OUT by Walter Kirn and SIX FOUR by Hideo Yokoyama.

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