“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Tuesday, October 6, 2015

Irish Crime Fiction Debuts: Jo Spain and Michael O’Higgins

It’s been a very good year for Irish crime fiction debuts, and two of the best have just been published: WITH OUR BLESSING by Jo Spain (Quercus) and SNAPSHOTS by Michael O’Higgins (New Island). To wit:
WITH OUR BLESSING by Jo Spain
It’s true what they say . . . revenge is sweet.
  1975. A baby, minutes old, is forcibly taken from its devastated mother.
  2010. The body of an elderly woman is found in a Dublin public park in the depths of winter.
  Detective Inspector Tom Reynolds is working the case. He’s convinced the murder is linked to historical events that took place in the notorious Magdalene Laundries. Reynolds and his team follow the trail to an isolated convent in the Irish countryside. But once inside, it becomes disturbingly clear that the killer is amongst them . . . and is determined to exact further vengeance for the sins of the past.

SNAPSHOTS by Michael O’Higgins
Dublin, 1981. One cop. One curate. One hardman. One boy. When a brutal attack on a prison officer puts these four on a collision course, the outcome will be as startling as it is unsentimental. Gritty, authentic and emotionally charged, SNAPSHOTS is at once a taut crime thriller and a reflection of our world, one in which the worst human horrors are found closest to home, and the most destructive transgressions are committed behind closed doors.
  I’ll be reviewing both books in the Irish Times crime column later this month …

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