“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Friday, November 29, 2013

Review: THE OUTSIDER by Arlene Hunt

The latest crime fiction column in the Irish Times features new offerings from Ian Rankin, Arlene Hunt, Donna Leon, Paul Johnston and Lee Child. The Arlene Hunt review runs like this:
Arlene Hunt is best known for her Dublin-set ‘QuicK Investigations’ novels, which feature the private eye duo John Quigley and Sarah Kenny, although her most recent offering, the standalone The Chosen (2011), was set in a remote rural setting in the US. In The Outsider (Portnoy Publishing, €11.50), Hunt sets her story in another rural setting, that of County Wicklow, with the story centring on the twins Emma and Anthony Byrne. A teenager who ‘may or may not be on the autism spectrum’, Emma develops a rare ability to rehabilitate physically and psychologically brutalised horses; why would anyone want to harm such a gentle soul? The backdrop of the Wicklow countryside suggests that The Outsider belongs to the ‘cosy’ or ‘malice domestic’ tradition, but while the style and setting are far removed from the hardboiled conventions, Hunt excels at excavating the petty passions of village life that, unchecked, lead here to anger, obsession and murderous rage. Moreover, The Outsider is not the straightforward narrative of taboos broached and justice served we expect from ‘cosy’ novels. In creating a community of apparently ordinary people capable of extraordinary cruelty, Hunt deftly blurs the lines between justice and revenge and propels her tale into the realms of true tragedy. – Declan Burke
  For the rest of the column, clickety-click here

Wednesday, November 27, 2013

The Irish Crime Novel Of The Year 2013: And The Winner Is …

The Bord Gais Energy Irish Book Awards were held last night, November 26th, and it’s a hearty Crime Always Pays congratulations to Louise Phillips, who won the Ireland AM Irish Crime Novel Award for THE DOLL’S HOUSE (Hachette Ireland). I’m delighted for Louise, who is a very popular winner indeed. Quoth the blurb elves:
People say that the truth can set you free. But what if the truth is not something you want to hear?
  Thirty-five years ago Adrian Hamilton drowned. At the time his death was reported as a tragic accident but the exact circumstances remained a mystery. Now his daughter Clodagh, trying to come to terms with her past, visits a hypnotherapist who unleashes disturbing childhood memories of her father’s death. And as Clodagh delves deeper into her subconscious, memories of another tragedy come to light - the death of her baby sister. Meanwhile, criminal psychologist Dr Kate Pearson is called in to help in the investigation of a murder after a body is found in a Dublin canal. When Kate digs beneath the surface of the killing, she discovers a sinister connection to the Hamilton family.   What terrible events took place in the Hamilton house all those years ago? And what connects them to the recent murder? Time is running out for Clodagh and Kate. And the killer has already chosen his next victim . . .
  Heartfelt commiserations go out, of course, to all the other nominees. For the full shortlist, clickety-click here

Tuesday, November 26, 2013

The Ireland AM Crime Fiction Book of the Year

UPDATE: Tonight’s the night! Best of luck to the nominees in the Ireland AM Crime Fiction category at the Irish Book Awards tonight …

It’s that time of the year again, when the Irish Book Awards release their shortlists. I’m delighted to announce the shortlisted authors and books in the crime fiction category, and offer a hearty congratulations to all concerned. To wit:
Ireland AM Crime Fiction Book of the Year:

• The Twelfth Department by William Ryan (Pan Macmillan/Mantle)
• The Convictions Of John Delahunt by Andrew Hughes (Doubleday Ireland)
• The Doll’s House by Louise Phillips (Hachette Ireland)
• Inquest by Paul Carson (Century)
• The Stranger You Know by Jane Casey (Ebury Press)
• Irregulars by Kevin McCarthy (New Island Books)
  For more, clickety-click here

Sunday, November 24, 2013

The Trinity Report

I had a terrific time at the Irish Crime Fiction Festival at Trinity College over the weekend, and I didn’t even get to see half of it. The most enjoyable – albeit nerve-wracking – experience was chairing the paradoxically titled ‘Irish Crime Fiction Abroad’ panel in the Edmund Burke theatre on Saturday morning, with said panel comprised of (l-r, above) John Connolly, Jane Casey, Arlene Hunt, Alan Glynn and Conor Fitzgerald (pic courtesy of @paysan). The conversation ranged through issues such as place, identity and language, all in the context of how an Irish writer adapts his or her storytelling to another culture and society. I was too involved to have any sense of how it was all received, of course, but for my own part I found it utterly fascinating.
  It was terrific, too, to be in Trinity and meet – even for the briefest of chats – so many people all on the same wavelength. Joe Long and Seth Kavanagh, all the way from NYC; Michael Russell; Sue Condon; Paul Charles; Conor Brady; Kevin McCarthy; Eoin McNamee; Stuart Neville; Stephen Mearns; Sean Farrell; Michael Clifford; Rob Kitchin; Declan Hughes; Critical Mick; and Bob Johnston, all the way from the Gutter Bookshop.
  I had to leave at lunchtime on Saturday, due to work commitments so I missed out on the Saturday afternoon panel (and seeing Brian McGilloway, Niamh O’Connor, Gene Kerrigan and Louise Phillips); and I also missed out on John Connolly interviewing Michael Connelly, which I imagine was the weekend’s highlight. A real pity that, but needs must.
  Even so, it looked to me like the festival was a triumph, and a tribute to the fantastic efforts of Dr Brian Cliff, Professor John Waters of Glucksman House at NYC, and that tireless champion of all things Irish crime writing, John Connolly. Hearty congratulations to all involved, and here’s hoping the Trinity Irish crime writing event becomes a regular feature of the Irish literary scene.