On a freezing November night in Rome Commissioner Alec Blume is called to the scene of a shooting. The victim, Sofia Fontana, the sole witness to a previous shooting, had been under the questioning of Magistrate Principe, whose deteriorating health is affected by the sad fate of this attractive young woman he had become fond of. Sidestepping protocol, Blume takes the case from Principe. His enquiries lead from a professor with a passion for the Art of Memory to a hospitalised ex-terrorist whose injuries have left her mind innocently blank, and back twenty years to a murderous train station bombing in central Italy. But Blume’s disregard for authority, and refusal to kowtow to the politics endemic to the Carabinieri, look set to derail not just the investigation, but his troubled relationship with colleague Caterina Mattiola ...I’m very much looking forward to THE MEMORY THEATRE; Conor Fitzgerald’s books tend to be among my reading highlights in any given year. For those of you interested in such things, and have the patience to click through, I’ve reviewed the Blume novels THE FATAL TOUCH here and THE NAMESAKE here. If you’ve reviewed any of Conor Fitzgerald’s novels yourself, please feel free to leave a link …
“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.
Monday, January 14, 2013
A Perennial Blume
THE MEMORY THEATRE (Bloomsbury), is due in April, with the blurb elves wibbling thusly: