Despite his runaway success, however, Bateman still encounters purists who object to the combination of crime fiction and humour.For the rest, clickety-click here …
Do readers take comedy crime seriously? “I think the very few readers who buy it do,” he says. “You would guess from sales in general that readers prefer their crime fiction deadly serious and quite bloody, and that may just be the fact of it, or because that is what’s put in front of them.
“I think that if crime that is quite serious, but happens to be funny as well -- I mean, Raymond Chandler was funny, wasn’t he? -- was promoted with a bit of muscle then it could sell extremely well.”
“Burke shows again that he’s not just a comic genius, but also a fine dramatic writer and storyteller.” – Booklist. “Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.