Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...
What crime novel would you most like to have written?
SILENCE OF THE LAMBS. There has never been a more perfect rendering of a psychopath than Harris’s brilliant Hannibal Lecter.
What fictional character would you most like to have been?
Jeffery Deaver’s Lincoln Rhyme - he’s super-smart, very cool and never has any problems getting a parking space in Manhattan.
Who do you read for guilty pleasures?
Katie Price aka Jordan - she has the best story ideas. Nah, no such thing as guilt when it comes to reading anything.
Most satisfying writing moment?
Bringing our daughter Carrie into a book shop and seeing TABOO on the shelves for the first time. She was only nine months old but think she looked quite impressed.
The best Irish crime novel is …?
Difficult question but would have to go with John Connolly’s THE WHITE ROAD, though his brilliant writing almost transcends genre.
What Irish crime novel would make a great movie?
Casey Hill’s TABOO, of course. Failing that, any one of John Connolly’s would transfer well to the big screen if the director could properly capture the supernatural elements.
Worst / best thing about being a writer?
Best: Being able to set your own hours and work from anywhere. Worst: Being able to set your own hours and work from anywhere.
The pitch for your next book is …?
Reilly Steel hunts down another gruesome murderer using street smarts and shiny new forensic equipment.
Who are you reading right now?
Chuffed to have been offered a sneak preview of Declan Burke’s fab new tome ABSOLUTE ZERO COOL, which is actually very cool indeed.
God appears and says you can only write OR read. Which would it be?
First, I’d beg him to let me write just once more before choosing to read. Then I’d ask Himself for an exclusive interview about his life story, write about it, then read away to my heart’s content on the Caribbean island I bought with the royalties.
Casey Hill’s TABOO is published by Simon & Schuster.
“Burke shows again that he’s not just a comic genius, but also a fine dramatic writer and storyteller.” – Booklist. “Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville.