“Few books in recent memory have been as much fun to read as Declan Burke’s THE BIG O. The sequel, CRIME ALWAYS PAYS, is a worthy successor … The end result is a little like what might be expected if Elmore Leonard wrote from an outline by Carl Hiaasen … Devotees of strictly laid-out police procedurals or cosies may find CRIME ALWAYS PAYS a bit pell-mell for their taste; Burke’s not writing for them, anyway. [It’s] about the flow, the feel, the dialog, the interactions among characters, not knowing who’s working with—or against—who, the feeling that anything might happen at any moment. It’s as close to watching an action movie as a reading experience can be.”Which is very nice indeed. Thank you kindly, that man …
“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.
Monday, September 14, 2009
CRIME ALWAYS PAYS: The Early Word
Dana King, long a friend of this blog, has been kind enough to review your humble host’s forthcoming Kindle-published novel CRIME ALWAYS PAYS over at the New Mystery Reader, with the gist running thusly: