Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...
What crime novel would you most like to have written?
Definitely the Ripley’s of Patricia Highsmith. If these are taken, I’ll go for the ANIMAL LOVER’S BOOK OF BEASTLY MURDER.
What fictional character would you most like to have been?
Quite content as myself. Really. But if I must choose a name: Vautrin of Balzac.
Who do you read for guilty pleasures?
Most satisfying writing moment?
When I stop typing with a wide silly smile on my face!
The best Irish crime novel is …?
Whichever one is not in the blood ‘n’ gore genre.
What Irish crime novel would make a great movie?
The one Steven Spielberg or Pedro Almodovar will direct.
Worst / best thing about being a writer?
Worst are: Sleeping less – my natural condition; spending more time with my laptop – not fun. And my recent habit of making additions, changes or twists according to reader requests. Best? No idea.
The pitch for your next book is …?
Working simultaneously on two: Completion of my Champagne Trilogy, after THE HOLDING AND THE CATWALK, with the grand finale THE BACKSTAGE. Every piece gets in order as like a jigsaw puzzle. And another Hop-Çiki-Yaya thriller, the 8th, where my sleuth, with his Audrey Hepburn alter-ego, finds a murder in her family past.
Who are you reading right now?
Right now? The questions on this Q&A! But nowadays I am going over again COUSINE BETTE of Balzac, and enjoying the grande-dame of modern Turkish literature Ayşe Kulin’s VEDA (THE FAREWELL).
God appears and says you can only write OR read. Which would it be?
God shouldn’t be so cruel. I’ll do my best to persuade.
The three best words to describe your own writing are …?
Life is joy!
Mehmet Murat Somer’s THE GIGOLO MURDER is published by Serpent’s Tail.
“Burke shows again that he’s not just a comic genius, but also a fine dramatic writer and storyteller.” – Booklist. “Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville.