“It is a remarkable and moving story, told in masterly fashion by Ruth Dudley Edwards. Her narrative grips from the start. It is as compelling as a thriller and displays the sympathetic imagination of a great novel … This is an extraordinary and uplifting story of how a group of ordinary people managed to get the justice they sought. It is beautifully told.” – Allan Massie, The ScotsmanFor more, clickety-click here …
“THIS VITAL, powerful book tells a story of loss, resilience and terrorism … It rightly concentrates on victims, and on properly remembering the lives destroyed by terrorist atrocity. But it also recounts a remarkable story of victims’ resilience and vindication, and deserves to be very widely read.” – Richard English, Irish Times
“Burke shows again that he’s not just a comic genius, but also a fine dramatic writer and storyteller.” – Booklist. “Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville.
Tuesday, August 4, 2009
Three Chords And The Ruth
But lo! There’s more ... Yon Ruth Dudley Edwards is a versatile minx, and no mistake. Last year, Cuddly Dudley won the Last Laugh Award at Crimefest, for her comedy crime caper MURDERING AMERICANS. A couple of weeks back she published the true crime opus AFTERMATH: THE OMAGH BOMBING, which concerns itself with the families’ search for justice in the wake of the single most devastating atrocity in the long and bitter history of the Troubles. If the early word is anything to go by, the Crimefest award won’t be her last. To wit: