“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.

Friday, April 3, 2009

Nobody Move, This Is A Review: ‘Fifty Dead Men Walking’

A feckless young man growing up in war-torn Belfast, Martin McGartland (Jim Sturgess, right) is recruited by the Special Branch as a ‘tout’, or informer. When Martin infiltrates the IRA, he finds himself in a position to save lives by telling his handler, ‘Fergus’ (Ben Kingsley), details of planned operations. Based on Martin McGartland’s true story, Kari Skogland’s movie is a terrific thriller. The history and politics are painted with broad strokes (the final credits, for example, blandly inform us that the British army has left Northern Ireland), but a knowledge of ‘the Troubles’ isn’t actually necessary to enjoy this – it works just as well as a gritty, violent tale of paranoia, double-cross and sell-out akin to ‘Goodfellas’, for example. The character of McGartland is a hard sell, given that he is perceived as a traitor to his own people, although here he’s pitched as a hero who saves the lives of the fifty men of the title, who would today be dead were it not for his activities. A strong script helps the movie’s cause, and Sturgess is compelling in the main role, believable as a hard-nosed undercover operative, and also as a loving family man. The context is excellently evoked too. Skogland gets under the skin of Belfast’s mean streets, capturing not only the period detail of the place and time, but also the sense of oppression and intimidation generated by British army soldiers and the RUC, which is mirrored by the summary justice of the IRA’s ‘community policing’, all of which feeds into Martin’s complex motivation for doing what he does. Kingsley gives Sturgess strong support, as does Natalie Press as his girlfriend, Lara, and Kevin Zegers as his ideologue friend and IRA operative, Sean. A challenging, thoughtful piece, it’s not for the faint-hearted. ****

  Elsewhere, Martin McGartland disowns the movie in the Sunday Times.

4 comments:

Stuart Neville said...

I'm keen to see this film. I think we're going to see a lot of interesting stuff from this corner of the world over the next few years.

And an intereting Times piece.

Gordon Harries said...

Not that it matters, but the Newsnight Review team exibited a strong prefference for 'Five Miniutes Of Heaven'

Declan Burke said...

Newsnight can kiss my skinny Irish ass ...

Two very different films, Gordon; I enjoyed both, and thought both were well made, but I'm not sure they're directly comparable ...

Agreed, Stuart; when are they filming The Twelve?

Cheers,

Dec

Gordon Harries said...

It did seem to me that they were discussing narrative as though it were an essay (which is something I've noted keeps cropping up in academic discussion of this newfangled 'Faction' malarky.)

David Holmes scored 'Heaven' though, that'll keep me happy either way!#

And 'The Twelve' would make a great HBO-style Tv show.