The Spinetingler Awards are with us again, people, and all very democratic it is too – if you can click a mouse, you can vote. The good news is that neither yours truly nor THE BIG O have been nominated, although the bad news is that Crime Always Pays has been, in the ‘Special Services to the Industry’ category.
A couple of things about that. (1) Much as I appreciate the nod, and at the risk of sounding ungracious, I’m not doing the little I do for the industry, and I suspect that very few bloggers and / or webnauts are either. If I win, I’ll have to hand the gong back. (2) Of which happening there being very little chance, given that (a) there’s no actual gong and (b) the other nominees include Ruth and Jon Jordan, J. Kingston Pierce, Barbara Franchi, and the man with the biggest brain in the universe, Peter Rozovsky (pictured, top right). (3) In my not-so-humble opinion, and off the top of my head, I can think of Sarah Weinman, Karen Meek, Maxine Clarke and the Spinetingler crew themselves as more deserving nominees than your humble host (Glenn Harper, Karen Chisholm and Ali Karim are nominated in the ‘Review’ category), mainly because, as far as I can make out, they all do it as a labour of love, whereas I’m only in it for the money. (4) Go Rozovsky!
Of the other categories, I’ll be keeping a close eye on the ‘Rising Star’, which pits Allan Guthrie against his old nemesis Ray Banks. Anyone else willing to pay to see those two beasts going at it in a cage-fight? And ‘New Voice’ should be interesting too, given that John McFetridge, Declan Hughes and Brian McGilloway are all jostling for position as you read. Fine writers and good blokes to a man, although, on the basis that I’ve spent 10 days sharing bathroom space with the man, and didn’t want to kill him afterwards, McFetridge gets my nod.
To vote, clickety-click here …
“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.