“GHOSTS OF BELFAST is not only one of the finest thriller debuts of the last ten years, but is also one of the best Irish novels, in any genre, of recent times. It grips from the first page to the last, and heralds the arrival of a major new voice in Irish writing. I don’t know how Stuart Neville is going to improve upon such an exceptional first novel, but I can’t wait to find out …”Mmmmm, nice. For an excerpt, clickety-click on this little yokeybus right here. It’s a hell of a start …
Praise for Declan Burke: “A fine writer at the top of his game.” – Lee Child. “Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – The Spectator. “A sheer pleasure.” – Tana French. “A hardboiled delight.” – The Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews (starred review). “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “Among the most memorable books of the year, of any genre, was ABSOLUTE ZERO COOL.” – Sunday Times. “The writing is a joy.” – Ken Bruen. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville.
Wednesday, October 29, 2008
The Neville Will Find Work For Idle Hands To Do, Part II
There’s been some mouthwatering blurbs scribbled about Irish novels of late – Kevin Power’s debut, BAD DAY IN BLACKROCK, for example, was heralded as a blend of IN COLD BLOOD, THE BOOK OF EVIDENCE and WE NEED TO TALK ABOUT KEVIN – but Stuart Neville (right) is rapidly becoming the name to watch for in 2009, with his debut offering, GHOSTS OF BELFAST, exciting some heavyweight names. James Ellroy described it as “The best first novel I’ve read in years ... It’s a flat out terror trip,” which was enough to get me wondering who the hell Stuart Neville was way back when, but now – courtesy of CSNI – comes John Connolly’s big-up, the gist of which runneth thusly: