“This is not Banville writing as Black, this is Black writing as Banville, and John Glass is that familiar figure: Banville Man. Banville Man, furrowed brow wreathed in smoke, forever caught between a swoon and a sneer; Banville Man, the rumpled aesthete whose exquisite nerves are ever besieged by the crass and the vulgar (“For God’s sake, Louise. The ‘chopper’!”); Banville Man, whose loathing of the hell that is other people is surpassed only by his loathing of himself.I actually liked THE LEMUR, on the basis that I thought it was good fun to read Banville playing around with the genre conventions. But this is much more fun – we haven’t had a good old-fashioned writers’ spat in, oooh, never. And what gives this one a frisson is that Banville used to be the literary editor-type with the Irish Times.
“And in the desiccated murk of a John Banville novel, where no one expects much by way of character or action, where a bogus back-story is the least you might imagine a man to have, that’s all par for the course.”
Ding-ding, gentlemen, seconds out …
No comments:
Post a Comment