Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...
What crime novel would you most like to have written?
A FATAL INVERSION by Ruth Rendell. Absolutely brilliant.
What fictional character would you most like to have been?
Maybe Dr Watson. Quite something to observe genius at such close quarters. I’d have said Paul Temple, but I couldn’t cope with all those dry Martinis.
Who do you read for guilty pleasures?
Agatha Christie and the much less well known Golden Age plotsmith Rupert Penny. Much pleasure, minimal guilt.
Most satisfying writing moment?
Last week (believe it or not) when I was at the CWA Dagger Awards and Lesley Horton announced that I’d won the award for best short story of the year, ahead of the likes of Michael Connelly and Laura Lippman. The stuff of dreams.
The best Irish crime novel is …?
I’m not very well read in Irish crime, to my shame, but THE SILVER SWAN by John Banville is a very good piece of writing.
What Irish crime novel would make a great movie?
BORDERLANDS by Brian McGilloway.
Worst / best thing about being a writer?
Worst: The vagaries of the publishing business, especially the focus on celebrities and the depressing neglect and often abandonment of countless good ‘mid-list’ writers. Best: Readers and reviewers who really ‘get’ what I'm trying to do with my writing.
The pitch for your next book is …?
Dr Crippen tells how it really was
Who are you reading right now?
Simon Kernick’s SEVERED and Andrew Taylor’s BLEEDING HEART SQUARE.
God appears and says you can only write OR read. Which would it be?
Aaaaaghhh. Write. I think ...
The three best words to describe your own writing are …?
Entertaining; getting better.
Martin Edwards’ WATERLOO SUNSET is published by Allison & Busby
“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.