“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Sunday, March 23, 2008

The Best Things In Life Are Free … Books

The ever-lovely people at William Morrow are giving away three copies of the ever-ravishing Laura Lippman’s ANOTHER THING TO FALL, via the distinctly unlovely and unravishing Crime Always Pays, with the blurb elves outdoing themselves thusly:
The California dream weavers have invaded Charm City with their cameras, their stars, and their controversy … When private investigator Tess Monaghan literally runs into the crew of the fledgling TV series Mann of Steel while sculling, she expects sharp words and evil looks, not an assignment. But the company has been plagued by a series of disturbing incidents since its arrival on location in Baltimore: bad press, union threats, and small, costly on-set “accidents” that have wreaked havoc with its shooting schedule. As a result, Mann’s creator, Flip Tumulty, the son of a Hollywood legend, is worried for the safety of his young female lead, Selene Waites, and asks Tess to serve as her bodyguard/babysitter. Tumulty’s concern may be well founded. Not long ago a Baltimore man was discovered dead in his own home, surrounded by photos of the beautiful, difficult superstar-in-the-making. In the past, Tess has had enough trouble guarding her own body. Keeping a spoiled movie princess under wraps may be more than she can handle—even with the help of Tess’s icily unflappable friend Whitney—since Selene is not as naive as everyone seems to think, and far more devious than she initially appears to be. This is not Tess’s world. And these are not her kind of people, with their vanities, their self-serving agendas and invented personas, and their remarkably skewed visions of reality—from the series’ aging, shallow, former pretty-boy leading man to its resentful, always-on-the-make co-writer to the officious young assistant who may be too hungry for her own good. But the fish-out-of-water P.I. is abruptly pulled back in by an occurrence she’s all too familiar with—murder. Suddenly the wall of secrets around Mann of Steel is in danger of toppling, leaving shattered dreams, careers, and lives scattered among the ruins—a catastrophe that threatens the people Tess cares about … and the city she loves.
To be in with a chance of winning a free copy, just answer the following question.
Is Laura Lippman’s husband:
(a) A Mann of Steel;
(b) Remington Steele;
(c) Some lucky dude who may or may not have something to do with a TV series set in Baltimore?
Answers to dbrodb(at)gmail.com, putting ‘Isn’t it time for a remake of Moonlighting?’ in the subject line, before noon on Tuesday 25th March. Et bon chance, mes amis

1 comment:

Anonymous said...

And, yo! Dec! You forgot to plug yer Lippman interview :

http://crimealwayspays.blogspot.com/2008/02/ya-wanna-do-it-here-or-down-station_07.html

I only just discovered Lippman's work last year, with her contribution to Ken Bruen's Dublin Noir and her earlier Monaghan novel The Last Place. If the new novel is as good as her earlier work, be sure to schedule a few nights free! Worth staying up and reading through.