“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Sunday, January 13, 2008

And Now A Quick Huzzah For The Short-Term Benefits To Society Of Violent Crime

There’s an interesting piece by the ever-lovely Nadine O’Regan (right) in the Sunday Business Post about the correlation between of on-screen violence and real-life violent crime – or, we should say, the apparent absence of any correlation. Quoth Nadine:
“[I]t came as an absolute delight this week to read the results of a new American study, which suggests that films like the bloody but brilliant No Country for Old Men and Eastern Promises might be – far from what the doomsday psychologists have prophesied – exactly what people need to keep them away from dangerous behaviour of an evening. According to the figures in the survey, in the last decade, screenings of violent films in the US have decreased assaults by an average of about 1,000 a weekend. ”In the short run, if you take away violent movies, you’re going to increase violent crime,” Gordon Dahl, the study’s co-author, an economist at the University of California, San Diego, has said. Dahl and his co-author, Stefano Della Vigna, an economist at the University of California, Berkeley, are not claiming that violent films are never a problem – they make clear their studies do not address the long-term effects of exposure to violent images.”
For the full paper, jump on over here

2 comments:

Anonymous said...

One thing the paper indicated was that the movie did not have to be violent to have the effect: it just had to be arousing, that is, be highly attractive to potential offenders or young men.

Maybe we should hand out free movie passes to all young men on the condition that they only use them for violent or adolescent fare. If they want to see Atonement they will have to pay.

Declan Burke said...

You don't think Keira Knightley might be just a tad 'arousing' or 'highly attractive' to young men? I think they'd all be demanding their money back ... while shuffling awkwardly around the foyer. Cheers, Dec