“The style of THE BIG O is slightly tongue-in-cheek, very rapid-fire, slightly wisecracking, slightly brittle and surprisingly vulnerable in some places. There’s a lot of crossing and double crossing of everybody going on; there’s a lot of charging around as you’d expect from a caper style novel … the book clips along at a tremendous pace … the dialogue … is snappy, stylistic and sometimes laugh-out loud-funny, sometimes snicker inducing; and sometimes a bit tear-jerking … it’s one of my favourite styles of escapist reading – the slightly lunatic caper, albeit this time with a twist in the guts at the end.”Thank you kindly, ma’am. In return, consider our fatwa on Marmite officially cancelled …
“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.
Wednesday, November 28, 2007
The Embiggened O # 1,307: Hope, Like Alice, Springs Eternal
Strewth! Bonzer news from Down Under, people, where Karen Chisholm of the rather fine AustCrimeFiction interweb thingagummy not only read our humble offering THE BIG O all the way through, but managed to stay awake for the duration! Fair dinkum, Sheila! Quoth Sheila / Karen (in excerpt, naturally, to spare you the boring bits about what she didn’t like):