“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Wednesday, October 17, 2007

Nobody Move, This Is A Review: JULIUS WINSOME, by Gerard Donovan

How far would you go to avenge the killing of a dog? In Gerard Donovan’s JULIUS WINSOME, the qualification of justice quickly becomes a moot point. Julius, who lives with his dog Hobbes in a book-lined cabin in the remote Maine forests, makes no effort to justify his actions when he picks up a rifle and sets out to hunt down the hunters who shot his dog to death. This is not an eye-for-an-eye revenge tale, in which one life equates with another and the death of a man, or men, theoretically cancels out the death of a dog. In masterfully restrained prose that is both muscular and delicate, Donovan weaves a compelling tale in which a grief-maddened man obeys the dictates of his instincts, in the process unleashing a lethal brand of natural justice that bears no resemblance to its human equivalent. “I was the rifle. I was the bullet, the aim, what a word means when it stands on its own. That is what revenge means even if you write it down.” As bleak and life-affirming as Beckett, JULIUS WINSOME exerts a hypnotic pull that renders Julius, despite his apparently sordid, Quixotic motivation, one of the most sympathetic protagonists in recent memory. That it reads like Cormac McCarthy redrafting Kafka is one of its many joys, the writing clear as a bell despite the effect of the emotional muffling, like the sharp crack of a frost-heavy branch during a heavy fall of snow. Even as the pace accelerates and tension mounts and events spiral out of control towards their inevitable denouement, you will find yourself deliberately applying the brakes, turning the pages slower and slower, the better to wallow in the sheer joy of finding yourself at the mercy of a master storyteller. – Declan Burke

This review was first published on Euro Crime

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