“Declan Burke’s crime writing is fast, furious and funny, but this is more than just genre fiction: Burke is a high satirist in the tradition of Waugh and Kingsley Amis and his stories pulse with all the contradictions of contemporary Ireland. Burke has a deep respect for and understanding of the classic traditions of the hardboiled school but he never forgets that his first duty is to give us a damn good read. A must for fans of Ken Bruen, Michael Connolly and Eoin McNamee.” – Adrian McKinty, author of THE BLOOMSDAY DEADAdrian? Ta very much, sir. And while you’re there, there’s an itch just between my shoulder blades I can’t quite reach. Any chance you’d give my back another scratch? Cheers.
“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.
Monday, October 22, 2007
The Embiggened O # 1,012: “Rollin’, Rollin’, Rollin’ / Keep Those Logs A-Rollin’ …”
This week’s big-up for our humble offering THE BIG O comes with a public health warning, people: Adrian McKinty (right), who pens the honey-sweet words below, is a mate of Crime Always Pays’ Grand Vizier Declan Burke, and McKinty’s novels – DEAD I WELL MAY BE and THE BLOOMSDAY DEAD in particular – have been getting serious hup-yas around these-here parts in recent times. The big question: are we guilty of blatant ‘log-rolling’ (as Detectives Beyond Borders’ Peter Rozovsky so delicately puts it), or is there an outside chance the reviews are actually worth the electronic paper they’re printed on? YOU decide! Meanwhile, here’s McKinty’s verdict: