“Let the pictures speak for themselves. When I write I see everything in pictures: the words then follow. In art I have been inspired by Miro, de Kooning, Pollock, Calder, Picasso, Chagall, Rothko, Stella, Kandinsky, Matisse – abstract expressionism, modernism and post-modernism.”Hmmm, lovely. Check out more of Pat’s oeuvre over at the Saatchi Gallery … and if any other writers-cum-artists want to fire us off a sample of their work, we’d be only too delighted to get an informal gallery going to decorate the electronic halls of Crime Always Pays Towers. KT McCaffrey, this means you.
“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.
Tuesday, August 7, 2007
Never Mind The Pollocks
Sure, we knew Pat Mullan was a dab hand at the old page-blackening, with The Circle of Sodom and Blood Red Square under his metaphorical belt – but who could’ve known he was such a fine canvas-wrecker too? The canvas pictured is titled Life Forms II, and while we don’t know much about art, we do know … actually, scratch that, we know nothing about art. Quoth Pat: