“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.
Thursday, July 5, 2007
The Temple Of Doom
Yep, Peter Temple (right) slid the CWA’s Duncan Lawrie Dagger into his entirely metaphorical scabbard for The Broken Shore, voted best crime novel of the year on Thursday night. There’s one in the eye for the bloody Poms, eh? In a doom-laden night for Irish crime writing, neither Declan Hughes or Brian McGilloway managed to get their hands on the New Blood Dagger, Gillian Flynn winning that award, and the Ian Fleming Steel Dagger, for Sharp Objects, appropriately enough. Worst of all, though, was our belated discovery that our lame pun – y’know, Peter Temple writes the Jack Irish novels – is a non-runner given that Temple’s 'Irish' is actually pronounced 'I-reich'. Buggery … Mind you, we can now blame the man we stole the lame pun from, the one and only Mr After Dark, My Sweet …