“When I was working on the Readers and Writers Programme, we identified Year 6, Year 7, the transition years between primary and secondary, as years in which children were often lost to reading. I remember my own transition being quite hard, so it is a time of life that I’m drawn to as a writer. If I’ve managed to create a readable book that helps children at that period to stay focused on the joys of reading, then I’ll be a really happy woman.”Batten down the hatches, Siobhan – there’s a veritable El Nino of happiness heading your way …
Praise for Declan Burke: “A fine writer at the top of his game.” – Lee Child. “Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – The Spectator. “A sheer pleasure.” – Tana French. “A hardboiled delight.” – The Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews (starred review). “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “Among the most memorable books of the year, of any genre, was ABSOLUTE ZERO COOL.” – Sunday Times. “The writing is a joy.” – Ken Bruen. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville.
Wednesday, July 25, 2007
The Kids Aren’t Always Alright
The Crime Always Pays elves recently took lunch with a woman who wants to write for kids, and spent the entire hour listening to words like ‘demographics’, ‘market slides’ (?) and ‘brand marketability’. Nary a word about a love of writing, nor – arguably more important – kids and what they like to read. Which makes the interview conducted by Nikki Gamble with Siobhan Dowd (right) over at Write Away so fascinating – Siobhan chats specifically about why she writes for the kind of reader that is drawn to her latest, The London Eye Mystery. Quoth Siobhan: