We don’t know John Connolly (right, in a manner of speaking). Never met the guy, and with the exception of Critical Mick – the exception to every rule, including the rule of exception – we don’t know anyone who has. So why do we love JC so and want to have his Charlie Parker-shaped babies? Because he spaketh thusly to Mojo magazine: “What I love is that people would come up to me and say I went out and bought a Go-Betweens album after hearing them on your CD. You feel like you’ve done some good in the world.” To those not in the know, The Go-Betweens are the finest band ever to come out of the Southern Hemisphere, and rival only The Tindersticks in the tiny little hearts of the Crime Always Pays elves. Anyhoo, moving on … to yet another John Connolly interview! In the New Zealand Herald, no less! Crikey, worse than Uncle Travelling Matt Fraggle, that lad … Anyway, less of the Connolly jive, more of other writers wibbling on about the page-blackening process. To wit, Jason Starr’s funkadelic take on the writer’s choice of POV, Elmore Leonard’s 10 Rules of Writing, and Brad Kelln’s so-crazy-it-might-just-work plot to conquer the free world by publishing a free novel on the free interweb and taking readers along for the free ride, for free. How cool is that? Almost as cool as Ray Barboni from Miami, seen below teaching Gene Hackman a thing or nineteen about hoodlum protocol … the most important rule being that you never say, “Look at me, Ray,” to Ray Barboni. And that’s it for another week, folks – be sure and drop by again next week, y’all.
“Burke shows again that he’s not just a comic genius, but also a fine dramatic writer and storyteller.” – Booklist. “Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.