“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Sunday, June 17, 2007

A Swords From The Stone

The burning question, people: if a guy – Nick Stone, say – says he’s moving to Galway to live, is that a tenuous enough link to plug the Miami-set novel of a Londoner of Haitian background on an Irish crime fiction blog? Hmmm … state your case, sirrah, and a jury of your belly-dancing dwarf peers shall decide your fate. “My new novel, King of Swords, is out on August 2nd,” says Nick. “It’s a prequel to Mr Clarinet, set in Scarface-era Miami (1980-82). By the way, do you want a proof?” Erm, case closed. Especially if King of Swords is anywhere near as good as Mr Clarinet: “Gritty and unremittingly dark, replete with super-villains, Mr Clarinet pays homage to pulp fiction and film noir – more James Ellroy than Graham Greene,” said Tibor Fischer over at The Guardian. “But perhaps because of Stone’s Haitian roots, Mingus’ mishaps in Port-au-Prince have an immediacy and an authenticity that are absent from many thrillers.” Which is nice …

1 comment:

Anonymous said...

King of Swords. I bet there's a few fellas in North Dublin who might want a word.