“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.
Sunday, June 17, 2007
A Swords From The Stone
The burning question, people: if a guy – Nick Stone, say – says he’s moving to Galway to live, is that a tenuous enough link to plug the Miami-set novel of a Londoner of Haitian background on an Irish crime fiction blog? Hmmm … state your case, sirrah, and a jury of your belly-dancing dwarf peers shall decide your fate. “My new novel, King of Swords, is out on August 2nd,” says Nick. “It’s a prequel to Mr Clarinet, set in Scarface-era Miami (1980-82). By the way, do you want a proof?” Erm, case closed. Especially if King of Swords is anywhere near as good as Mr Clarinet: “Gritty and unremittingly dark, replete with super-villains, Mr Clarinet pays homage to pulp fiction and film noir – more James Ellroy than Graham Greene,” said Tibor Fischer over at The Guardian. “But perhaps because of Stone’s Haitian roots, Mingus’ mishaps in Port-au-Prince have an immediacy and an authenticity that are absent from many thrillers.” Which is nice …