“Burke’s The Big O … moves out of classic pulp-noir territory into a kidnap caper with style and plotting more like Elmore Leonard (or maybe Donald Westlake) than Dashiell Hammett or Raymond Chandler … The result is a kaleidoscopic narrative that moves forward at a rapid pace – and the result is also quite funny, in the way that Leonard’s novels are frequently funny: expectations are overturned, characters move inexorably toward an unforeseen climax, and we glide past unbelievable coincidences without hesitation … The Big O is, ultimately, a crime farce of the first order (that is to say, it stands up very well to the Leonard comparison …) … the plotting seems casual, unplanned, with the random pattern of life – but looking back, the story is as tightly structured as a jigsaw puzzle … I highly recommend The Big O, and wish for the sake of its potential readership that it soon finds wider distribution – in the U.S., for example …”Were we physiologically capable of having another blog’s baby, we’d be snuggling up under the duvet with International Noir right now. We loves ya, baby!
“Burke shows again that he’s not just a comic genius, but also a fine dramatic writer and storyteller.” – Booklist. “Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.
Sunday, June 17, 2007
The Embiggened O # 235: Bring On The Dancing Trumpets
Crumbs! Not content with bigging up Eightball Boogie a few weeks ago, International Noir has gone and love-bombed our humble offering The Big O, to wit: