“Burke shows again that he’s not just a comic genius, but also a fine dramatic writer and storyteller.” – Booklist. “Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville.

Sunday, May 27, 2007

“Ya Wanna Do It Here Or Down The Station, Punk?” # 214: Charles Ardai

Yep, it’s rubber-hose time, folks: a rapid-fire pick-‘n’-mix Q&A for those
shifty-looking usual suspects ...
What crime novel would you most like to have written?
The Big Sleep.
Who do you read for guilty pleasures?
Dan Brown.
Most satisfying writing moment?
Appending the words ‘The End’ to the final page of a book I’ve worked on for years.
The best Irish crime novel is …?
I can’t pretend an exhaustive enough knowledge of the contenders to make this determination – but it wouldn’t surprise me if the right answer was a book with the words “by Ken Bruen” on its spine.
What Irish crime novel would make a great movie?
The Guards, Ken Bruen.
Worst / best thing about being a writer?
Worst: Rarely possible to make a living at it, even if you’re good. Best: If you do it right, a little piece of you will live forever.
Why does John Banville use a pseudonym for writing crime?
Damned if I know. I only know why I do: because I'm a sucker for clever anagrams.
The three best words to describe your own writing are …?
Sorrowful, disillusioned, bleak.

Charles Ardai is an Edgar-winning writer and co-publisher of Hard Case Crime

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